We thought it would be nice to interview two ‘Under the Radar’ bands from both sides of the pond at the same time, Ten City Nation from Bury St. Edmunds in Suffolk and Dot Dash from Washington DC.  The results are here ….. 

 

Ten City Nation (TCN) questions were all answered by guitarist/vocalist Seymour

Dot Dash  (DD)

  

Hi and how the devil are you today, in fact where are you as well?

 

(TCN) I’m very well, thank you for asking!  I’m sat at my computer at home in sunny Bury St Edmunds, preparing to venture out into the sun.  We British are still a bit scared by the sun, it unleashes our pagan instincts.  Whenever there’s a heat wave, around 50% of the UK’s population ends up being sacrificed in rituals designed to appease the fire-God.

 

(DD) Very well, thanks.   Everyone is at work.  Terry and Hunter are in the ‘downtown’ area of D.C.; Bill in WoodleyPark; Danny in Arlington

 

How long have you been a band and how did you come together, what was the spark?

 

(TCN) We all used to be in a sort-of punk band called Miss Black America, who got together back in 1999.  Mike (bass/vocals) and Neil (drums) were still at school and I’d just dropped out of university to concentrate on being an idiot.  We did reasonably well but we toured Black Flag-style without any backing for two years and didn’t cope very well with a prolonged diet of crisps and lager, so the band fell apart.  But gradually we became friends again and around 2007 we realised we were all listening to the same records – Chas & Dave Live At The Budokan, Melanie C’s first solo album, Dumpy’s Rusty Nuts.  So we started playing together again and things turned out okay.

 

(DD) We got together in the front part of 2010.  We had all played in various bands over the years and knew each other, or had travelled in similar circles, and decided to give it a whirl.

 

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 Dot Dash

 

What if any influences did you gain from your parent’s record collections. and what was the first serious record you all bought?

 

(TCN) My Dad’s a lifelong Beatles obsessive – he once head butted a Norwegian man for saying The Beatles were shit.  He was also roadie for Socialist punk bands in the early 80s.  He used to sing me to sleep with John Lennon songs and then go out driving the Newtown Neurotics around the UK in his fruit & veg van.  So my earliest memories of music are mostly Lennon’s Double Fantasy album, which Dad was obsessed with, and Baggy Trousers by Madness, which I insisted be played pretty much on the hour every hour. 

 

First serious record I stole from my parents was Be Yourself Tonight by Eurythmics and first CD album I bought with my own money was Bite by Ned’s Atomic Dustbin.  I think Mike’s first big albums were Dark Side Of The Moon by Pink Floyd and Levelling The Land by Levellers.  And Neil’s always been a huge fan of The Stone Roses’ first album. 90s and proud.

 

(DD) TerryMy parents had some records that I liked by Herb Alpert and Walter Wanderley (who, I later came to realize, sounded like Felt.).  The first record I bought with my own money was Cheap Trick, Live At Budokan.

 

BillParents:  70s stuff, Simon and Garfunkel, Bread, Jackson 5.  First serious record bought:  Bruce Springsteen, Darkness on the Edge of Town

 

Hunter My parents didn't have a record collection.  They had an 8-track collection.  My Dad loved The Beatles and The Monkees, and my mom enjoyed listening to folk songs about death, usually by The Kingston Trio.

 

Danny -- Parents record collection would be Miles Davis - Kind of Blue; Art Ensemble of Chicago - Les Stances a Sophie; and The Beatles, A Hard Day’s Night.  The first LP I bought was Beatles 65...well...my parents bought it for me.  The first record I think I bought with my own money was either the Jackson 5 single of ‘The Love You Save or ‘ABC.’  Can't remember which I got first.

 

How do you approach getting your name known, recording, gigging, social networking?

 

(TCN) We started out gigging like crazy but unfortunately in the UK fuel’s become twice as expensive as it was ten years ago, while gig fees for small-time bands have stayed the same.  It sounds prosaic to mention it, but it’s had a terrible effect on the UK’s DIY scene – it’s a lot more difficult for people without label support and/or rich parents to head off on a carefree shoestring budget tour, as you run the risk of bankrupting yourself very quickly unless you can sell lots and lots of T-shirts.  So we’ve done what a lot of people do – we gave our first couple of albums away for free online and concentrated on writing.  Arguably, that’s healthier, but it’s also a bit slower.

 

·         (DD) Accosting passers-by on the street — e.g., “Hey, c’mere, do you like music?”

·         Shouting our band name (repeatedly, in a hysterical voice) in crowded public places

·         Billboards adjacent to major urban traffic arteries

·         Novelty pens

 

What is the furthest place you have travelled to, to play a gig? Most memorable gig so far and weirdest?

 

(TCN) Ten City Nation have never gigged outside of the UK, and Miss Black America only got as far as mainland Europe.  I once drove to Sweden to pick up a piano, does that count?  The weirdest place we’ve ever played is Hull.  If you’ve never been to Hull, imagine how bad you think it is, then times it by 100, and it’s a lot worse than that.

 

(DD) Gosh, not very far.  We play lots of gigs in and around WashingtonD.C., where we come from, but, so far, not much else.  We’re hoping to change that a bit and are playing in New York later this month.  The whole city is a-titter. We’ve played with some cool bands including The Drums, The Chameleons, Urge Overkill, The Trashcan Sinatras, Hugh Cornwell, and The Godfathers, among many others.  None of them have been weird, per se.  We’re playing an outdoor show on a street corner in Adams Morgan in June.  Maybe that one will be weird.

 

What format would you ideally chose to issue your music on... CD, Vinyl. Cassette, download? Do you anticipate unique releases? i.e. Limited editions, hand crafted sleeves etc?

 

(TCN) If we ever sign with a label, we’ll insist on everything being released on vinyl.  Me and Neil are obsessed with old records at the minute – he was given a turntable for his birthday and keeps bringing his new purchases to practice for us to geek over.  Ideally, we’d spunk millions on an album sleeve as awesome as the gatefold of Led Zeppelin’s Physical Graffiti and hand out free copies to anyone who wants them.  It’s not the best business model, but if you’re going to lose money, it may as well be for a righteous cause.

 

(DD) CDs are fine by us:  populist, unpretentious, shiny. Limited editions, hand crafted sleeves, etc? … Um… not really, but who knows…. 

 

What are your views on giving away music for free?

 

(TCN) If we hadn’t done it, no-one would have heard us.  For the most part, the people who seem to object to the idea are people who got used to making sack loads of cash.  The days of excess are largely gone; anyone can release anything now without anyone’s permission or backing and that can only be a good thing.  If you’re still unconvinced, read Kill Your Friends by James Niven and tell me you miss the old days of buttering up A&R wankers.

 

(DD) we’re just happy for our music to get around.  Fortunately, we’re affiliated with a record label – the mighty and wonderful Ottawa-based The Beautiful Music – which has the same attitude.

  

What is your favorite lyric and guitar riff of all time?

 

(TCN) Favorite lyrics of all time are the entirety of Faster by Manic Street Preachers – “He loves me truly, this mute solitude I’m draining / I know I believe in nothing but it is my nothing.”  Favourite riff is really tough.  Let’s go for Back In Black by AC/DC, it’s that kind of day. 

 

(DD) Terry – The Ram Jam Band: “Black Betty had a child/The damn thing gone wild.”

 

Bill – Lyric:  Dunno, but Pete Townshend and Paul Weller are among my favorite lyricists  Riff: Rated by how I felt when I first heard it, one of the top would be U2’s “I Will Follow” -- such simplicity but made you feel, ‘A-ha, you can do THAT!’

 

HunterMy favorite lyric is either "in the end it took me a dictionary to find out the meaning of 'unrequited'" from Billy Bragg's "The Saturday Boy," or "I will be in the bar, with my head on the bar" from Morrissey's "The More You Ignore Me."   My favorite guitar riff is probably from "Smash It Up" by The Damned.

 

Danny -- Favorite guitar riff is “Horror Show” by The Scars.   Favorite lyric is Adam Franklin, "Never Lose That Feeling.” 

 

What interesting fact should we known about your home town?

 

(TCN) It contains the second oldest building in Britain – Moyse’s Hall Museum.  The Magna Carta was drafted here.  Our local delicacy is Potato Surprise, which you can purchase 7 days a week from Chick King on Station Hill.  No other fast food joint in the entire World ever made potato so tasty.

 

(DD) Plethora of traffic circles (unusual for an American city) confuses tourists -- and motorists from Virginia.

 

What do you think is the main benefit of being in a band based in the UK?

 

(TCN) Our naturally rugged good looks and perfect teeth.

 

What do you think is the main benefit of being in a band based in America?

 

(DD) Easy access to new “family-sized” bags of Utz Crab Chips.

 

What question would you like to ask Dot Dash?

 

(TCN) How are you?  Me and the boys have been worried about you.  You never write, you never call…

 

What question would you like to ask Ten City Nation?

 

(DD) “Hello Ten City Nation: We in Dot Dash collect currency from other countries.  Would you please, as soon as you are able, send each of us a five-pound note, a ten-pound note, a twenty-pound note, and a fifty-pound note for our foreign currency collections?  There are four of us in the band.  Thank you.”

 

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Ten City Nation 

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Ten City Nation have a video out soon for 'His Just Reward' and the track is available as a free download, here:  and here is a live video of them playing the track supporting Graham Coxon a few weeks ago!   

 Dot Dash on facebook A few songs from the album -- two of them as free downloads -- are posted here: 

 Album info: Released by Canadian indie The Beautiful Music:  

 

Video for "Learn How To Fly":