Following on from last year’s disappointments around the overcrowding on the site, stretched facilities, trouble in the camp site and general change in vibe of the entire festival, added to which a below par booking policy (Paulo Nutini as a Saturday headliner, Paloma Faith above Bright Eyes etc), I decided on just a Friday ticket this year. I have attended every Latitude since it started for the full weekend so it was not a decision taken lightly.
As it turned out it seemed I was not the only one making that decision, the site really was not anywhere near full on the Friday even though improvements had been made, toilets and an extra bridge across the river to name two.
The coverage of the festival on Sky Arts must have helped the coffers, in relation to the lower numbers attending and an interview with Melvin Benn on the TV where he said something along the lines of “”the music complements everything else”, I guess gives a clue to the booking policy. Still having said all that, Friday was a brilliant day of music and the sun shone all day long!
Starting off at 11.30 with ethereal Braids on the
Deerhunter “Hi we are Deerhunter from
Back over to the main (Obelisk) stage for Bright Eyes, who must have forgotten they have a new album out, and played a great selection of songs, even to the point of a Jonathon Rice & Jenny Lewis accompanied Gillian Welch cover. Another great set.
A bit of a breather for food and the
Finally it’s The National. reappearing at the same festival where they headlined the Word tent the year before (2010) putting on a stunning performance. This was the band’s third trip to Latitude overall and their first as festival headliners.
Main stage means a longer set, use of the now customary video backdrop plus, a higher expectation of the band and a bigger crowd to win over. All of that was achieved in fine style during a set approaching two hours.
The video backdrop showed the band back stage, them climbing the steps onto the stage. Matt had a head camera on which, when he ran out of cable, snapped him backwards. “That’s Show business” he said as the band launched into ‘Bloodbuzz
Encore, we get told this song is twelve years old and ‘Son’ is performed in such a mesmerising manner that it brings a lump to the throat. ‘Mr November’ sees Matt finally in the crowd and the unamplified ‘Vandelyle’ is sung, but where Matt was, I have no idea. Absolutely brilliant, that is two years running this band has wooed a Latitude crowd.
Sorrow (with St. Vincent)
Available (With St. Vincent)
Driver, Surprise Me
Think You Can Wait
Vanderlyle Crybaby Geeks (With St. Vincent)
No ‘Guilty Pleasures’ this Friday, so a wander around the site, Haggis and Whiskey and then it’s off home before the rain comes. Lightweight I know, but I was pleased I was there for that stunning day of music.