Album Reviews

On 10th October, Sallie Ford and the Sound Outside will be releasing their debut album, Dirty Radio via Fargo which is a raw, sweet, crisp, clear gem of rockabilly and blues.

Sallie Ford comes into the Imelda May league, very distinctive and powerful with a voice to fill a room without doubt. Hailing from Asheville, North Carolina, and now based in Portland, where the band earned major fans in The Decemberists and The Avett Brothers”, you really get a live feel from the album all the way through.

 

Slow dark beginning on ‘I Swear’ much like a dark scene in a western movie then, like a rattle snake coming into view, Sallie’s vocals pierce the air and grab your full attention immediately. 

SuperHeavy; A new group with a guy who knows his reggae, a lady with a fabulous voice and vocal range and a man who should really be fronting a rock n’ roll band with, his raw intensity, as he spits out the lyrics. Actually not so new, after all, the Super group that is SuperHeavy is Mick Jagger, Joss Stone, A. R. Rahman, Dave Stewart and Damian Marley but for a moment, disregard the heavyweight members and give the music a listen.

 

A record packed to the brim with music, nothing wasted or lacking in the production, musicianship or presentation. There is a budget here but, with that budget comes pressure. These guys could has just as easily tripped themselves up and produced a lemon, but this record has all come together.

 

First bands that spring to mind when listening to Widowspeak are Camera Obsura,The Bookhouse Boys and Wye Oak. 

For opener ‘Puritan’ the guitar whips around Molly’s dreamy vocals. Reverb guitar with that ethereal voice, on ‘Harsh Realm’ and you just can't go wrong and the album is set on it’s path. 

‘Nightcallers’ sparks the image of a flowing red dress, the maiden hanging onto the mic for all she is worth as the guitars loop and swoop around her. 

For her third album of intricate pop songs, Annie Clark recruited John Congleton as producer, Beck keyboardist Brian LeBarton, and Midlake drummer Smith to record in her hometown of Dallas, Texas. The result is a very classy album, in fact the finest solo record yet that St. Vincent has delivered.

The record is quite spellbinding and never drops its interest for the listener throughout its entire length. With numerous twists and turns both lyrically and musically, the album has a freshness with every play. It is an album that will leave people out there who download just a few random tracks in a quandary because the style changes so much throughout the album. If you are one of those guys, sorry but you will need to download the whole record!

This is not an album you leap to put on when the sun is out and you feeling up, without a care in the world but this is actually, an album you may well readily put on first thing in the morning (idea for that early morning dazed train commute) or, last thing at night or just perhaps, when everything is not so rosy in your Garden.

 

Ex-Sparklehorse musician Adam Wiltzie, and composer Dustin O'Halloran are A Winged Victory For The Sullen. They have produced a solemn even reverential recording of beautiful music, piano, strings, an ambience woven into a spider’s web of contentment.

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